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The new eAR Power amplifier will open your eARs to a whole
new sound experience. It is the first True High-End Audio Stand-Alone Power
Amplifier in the world with ICEpower®. The technology is groundbreaking and
unique. The eAR Power amplifier has been recognized to carry the ICEpower®
logo, which is a seal of approval and a stamp of quality. ICEpower® is the
World Leader in Pulse Modulated Amplification.
What are the differences compared to all other amplifiers?
Pulse Modulation Amplifiers are also called Digital amplifiers and Switching
Amplifiers, because digital pulses are controlling the power conversion, instead
of an analogue signal. Compared to all other known amplifiers, the eAR power
amplifiers gives nearly endless figures of benefits.
We will just mention a few benefits:
Excellent sound quality
Compared to all other switching or digital amplifiers, the eAR amplifier doesn't
have a single touch of 'digital' sound, but the sound is very much natural
analogue with great details and will give your speakers a tight and extremely
fast bass; a detailed soundstage that you have never heard before, and a extreme
dynamic sound. According High-End reviewers: Best sounding amplifier of all
amplifiers. Excellent sound quality means that the eAR amplifiers are truly
capable of audiophile-grade audio performance, as has been demonstrated in
comparative listening A/B tests against several high-end audiophile amplifiers.
You can read a review of the eAR power amplifier in the Danish / Swedish /
Norwegian printed HIGHfidelity magazine, issue 7 - 2002. Link to HIGHfidelity: www.hifi.dk
Low power consumption
As the eAR Amplifier output stage has an efficiency of 93% and it never runs
hot. Let us put it in this way: The eAR Amplifier power conversation is the most
precise way to perform high efficient amplification. The eAR amplifier is using
a technology, which is far better and much more precise than any other
technology ever will be able to perform. The unit need only a relatively small
power supply. The outcome of this fact is a very strong reduction in cooling,
transformer, even that the power supply compared to "normal"
amplifiers are complete oversized. The power consumption of a "normal"
high-end amplifier could easily exceed 200 watt in stand-by, with no music
played! On eAR the power consumption will not exceed 20 watt! The benefit is a
lot lower electricity bill.
Based on ICEpower® technology.
ICEpower® is the industry standard for Switching Amplifiers, used by Jeff
Rowland (High-End power amplifiers), Sony (consumer subwoofers), Bang &
Olufsen (active loudspeakers), Sanyo (consumer power amplifiers), Philips
(professional systems), just to mention a few. With its build-in propriety
feed-back system, the sound quality is in no way comparable with existing
switching amplifiers. The benefit is in short: Reliability, stability and of
course the highest possible sound quality. As it is being used all over the
World, it is your safety for proved technology, that just works.
(Acoustic Reality from Denmark was the first company in the world to introduce a
seperate power amplifier with the ICEpower technology to the High-End market.
Today Acoustic Reality and the Jeff Rowland design group from USA
are the only companies, that are manufacturing seperate High-End power amplifiers with
power ratings up to 300Watt into 8ohm's load with the ICEpower technology.)
Compact design
Since the amplifier unit is very, very small, but from a power rating point of
view a monster, the signal path in total is extremely short. Even the fact that
the amplifier is very compact, the eAR Two is possible to deliver up 2 x 600 watt.
That gives you enough power for even the hardest speaker load, and the highest
volume setting, and caused by the compact design without sacrificing the
hole-through feeling in sound. As the amplifier only measures 38 x 28 x 12 cm it
is small, caused by the fact that no cooling or huge power supplies is
necessary. The benefit is a very compact unit.. Try to compare with the best
known High-End amplifiers from Mark Levinson and Krell. They are very big, in
most cases app. 45 x 30 x 70 cm or more, and has a weight on at least 150 lbs.
And bigger and more weighty is not necessary the same as "better".
The eAR power amplifier does not contain any chip to do the modulation, but the
eAR power amplifier is build up with active and passive high quality components.
No power supply noise
Extremely high Power Supply Rejection Ratio (PSRR). The advantage is, compared
to other digital amplifiers on the market means, that noise from the net supply
will be muted with at least 60 dB. Power supply noise is therefore no longer an
issue. The benefit is a more stable soundstage, more delicate sound, and much
more relaxed performance of strings - just to mention a few. The power amplifier
by it self is totally quiet, as there is no cooling fan or other cooling devices
normally implemented in huge amplifier designs, just to prevent them for running
to hot…..
No cross-over distortion
As the amplifier do not have any problems concerning extremely bad sounding
cross-over distortion, which all other analog amplifiers has, the rating for the
distortion is very, very low. And in fact it is not depending on listening
level. The benefit is, that you will always have clean and very dynamic sound,
the result of a THD+N on typical 0.006%. Indeed very low.
No InterModulation distortion
Intermodulation distortion is when two or more different input frequencies
interact to produce additional frequencies in the output. Compared to for
example Solid State or Tube amplifiers the InterModulation Distortion of the eAR
power amplifiers is the lowest you have ever heard. The benefit is an amplifier
which is able to produce very complex music with the finest details, even on
very low volume levels... on all volume levels.
Quiet amplifier
The noise level of the amplifier is very low. In fact the dynamic range
(A-weighted) on typical 117dB. The benefit is an amplifier, which is almost
totally free from noise on all volume levels, even when the amplifier is playing
on very small volume levels.
The fastest trancients
Because the eAR power amplifiers are using ICEpower® technology it able to
produce the fastest trancients of all power amplifiers (the eAR power amplifiers
have very low harmonic distortion and is almost without InterModulation
distortion). The benefit is an amplifier which is able to produce very fast and
dynamic music. Indeed, on all volume levels.
Bibliography and References
Nearly all of the following papers can be located using the Audio Engineering
Society’s web page: www.aes.org
[1] Neilsen, Karsten, Ph.D, Fredericksen, Thomas, Bengtsson, Henrik
“A Novel Audio Power Amplifier Topology with High Efficiency and
State-of-the-Art Performance”
109th AES Convention. Los Angeles, September 2000.
[2] Vanderkooy, John
“New Concepts in Pulse Width Modulation”
97th AES Convention. San Francisco, November 1994. Preprint 3886.
[3] Klugbauer, Josef
“A Sigma-Delta Power Amplifier for Digital Input Signals”
102nd AES Convention. Munich, March 1997. Preprint 4448
[4] Anderskouv, Niels, Nielsen, Karsten, Andersen, Michael.
“High Fidelity Pulse Width Modulation Amplifiers Based on Novel Double Loop
Feedback Techniques”
100th AES Convention. Copenhagen, May 1996. Preprint 4258
[5] Nielsen, Karsten
“Parallel Phase Shifted Carrier Pulse Width Modulation – A Novel Approach to
Switching Power Amplifier Design”
102nd AES Convention. Munich, March 1997. Paper 4447
[6] Nielsen, Karsten
“A Review and Comparison of Pulse Width Modulation Methods for Analog and
Digital Input Switching Power Amplifier Systems”
102nd AES Convention. Munich, March 1997. Paper 4446
[7] Nielsen, Karsten
“High Fidelity PWM Based Amplifier Concept for Active Speaker Systems with a
Very Low Energy Consumption”
Journal of the Audio Engineering Society. July/August 1997. pp. 554-570.
[8] Nielsen, Karsten
“Pulse Edge Delay Error Correction (PEDEC) – A Novel Power Stage Error
Correction Principle for Power Digital-Analog Conversion”
103rd AES Convention. New York, September 1997. Paper 4602
[9] McLaughlin, R. David, Stanley, Gerald R., and Wordinger, James
“Audio Amplifier Efficiency and Balanced Current Design – A New Paradigm”
103rd AES Convention. New York, September 1997.
[10] Nielsen, Karsten, Taul, Thomas, Andersen, Michael
“A Comparison of Linear and Non-Linear Control Methods for Power Stage Error
Correction in Switching Power Amplifiers”
104th AES Convention. Amsterdam, September 1998.
[11] Nielsen, Karsten
“MECC – A Novel Control Method for High End Switching Audio Power
Amplification”
105th AES Convention. San Francisco, September 1998. Preprint 4839
[12] Nielsen, Karsten “Audio Power Amplifier Techniques with Energy Efficient
Power Conversion” Ph.D. Thesis
Department of Applied Electronics, DTU, Denmark. May 1998.
[13] Nielsen, Karsten, Ph.D
“PEDEC – A Novel Pulse Referenced Control Method for High Quality Digital
PWM Switching Power Amplification”
IEEE Power Electronics Specialist conference (PESC) Japan, May 1998. Conf. Proc.
pp. 200-208.
[14] Nielsen, Karsten, Ph.D
“Linearity and Efficiency Performance of Switching Power Amplifier Output
Stages – A Fundamental Analysis”
105th AES Convention. San Francisco, September 1998.
[15] Nielsen, Karsten, Ph.D
“Digital Pulse Modulation Amplifier Systems Based on PEDEC Control” 106th
AES Convention. Munich, Germany, March 1999. 25 pp., Paper 4942
[16] Nielsen, Karsten
“Paralleled Phase Shifted Carrier Pulse Width Modulation (PSCPWM) Schemes –
A Fundamental Analysis”
106th AES Convention. Munich, Germany, March 1999. 25 pp., Paper 4917
[17] Johansen, Morten, Nielsen, Karsten, Ph.D
“A Review and Comparison of Digital PWM Methods for Digital Pulse Modulation
Amplifier Systems”
107th AES Convention. Munich, Germany, March 1999. Paper 5039
[18] Christensen, Frank, Federicksen, Thomas, Andersen, Michael, Nielsen,
Karsten, Ph.D
“Practical Implementation and Error Analysis of PSCPWM Based Switching Power
Amplifier Systems”
107th AES Convention. Munich, Germany, March 1999. Paper 5040
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